front page  ·  comicbook reviews  ·  interviews  ·  comics  ·  merchandise  ·  columns  ·  contact  ·  newsfeed: rss xml


Notes on searching
Browse the archive

 

 

Column:
Letters from the Editor

 

NBC's Heroes
By Louis Vitela
Published: 2006-11-28

 


The Blogging Bandwagon
Dec 3"Ask Me About my STD" / Comics: Fables, Tron, We 3
Nov 20ComicCritique.Com Crash!
Nov 18The Value of Checking Out

If you’re a comic book aficionado and haven’t checked out NBC’s Heroes, it’s worth a look. As of this writing, Heroes just aired its tenth episode. The show smacks of a well-done television version of Marvel’s Ultimate universe. Given the genuinely dark plotlines, the comparison is inevitable. The bad guys — even those who might only be marginally bad — have a moral compass that swings only from “crabby” to “murderous.”

I wasn’t sold on Heroes after the premier episode. Nor was I sold after the second or third episodes. These first three episodes were jam-packed with the stories of eight humans with powers, and creator/writer Tim Kring took on the task of squeezing each separate story into the forty-odd minutes that make up a prime time episode.* Despite not being sold, I found myself drawn in by the extremely compelling characters. A strong story line really began to emerge in episode four (“Collision”), and I found myself appreciating the characters and the writing even more.

One thing I really appreciate about Heroes is that it has managed to avoid the teen-angst/teen-romance trap that will ultimately prove to be Smallville’s lethal dose of kryptonite. Heroes managed this by making all but two of the powered beings adults, and only one of the those two minors is a teen. Another aspect that could add to the show’s longevity (and I personally hope it continues), is that all the heroes play an equally important role in the story. Given that we’re not sure how these heroes are developing their powers, any number of people around the world could be developing them, paving the way to easily add (and remove) powered characters along the way. Yet another great aspect is that the powers are not all positive, save-the-world kinds of powers, like the poor fellow who suddenly found himself saddled with radioactive powers and unwittingly gave his wife an advanced case of terminal cancer.

I find Heroes’ popularity surprising — with over 14 million viewers, its premier was the most-watched program in the United States for that evening — especially when it’s so popular among those who never pick up a comic book. Interestingly, in an interview posted over at 9thwonders.com (“The official / unofficial fan site for Heroes”), Mr. Kring notes that he himself is not a comic book reader. With regards to Heroes he didn't do any sort of research by reading comics largely because he didn’t want to be influenced and unintentionally rehash or even steal others’ ideas. More significantly, he stays away from comics because he has a form of dyslexia that causes him confusion trying to track the order of the dialogue bubbles. “I get easily frustrated and give up very quickly whenever I’ve tried to read comics.”

What I like about its popularity, however, is that Heroes represents on the screen the best of what today’s superhero comics have to offer, much more than did Superman Returns (which I did enjoy) or the somewhat lamentable Who Wants to be a Superhero. One hopes that at least some viewers will discover that the same compelling, character-driven superhero stories can be found at the local comic shop.

Heroes can be seen on NBC on Monday evenings, and reruns of the latest episode can often be found on the Sci-Fi channel on Friday evenings.

 


* Tim Kring’s name is on the writing credits for the first two episodes, but comic veteran Jeph Loeb (who Tim Kring names as a close friend) wrote episode three, “One Giant Leap.”


—CCdC—

 

 

Contact CCdC - Changelog - Colophon - Newsfeed

(c)2006 ComicCritique.com, all rights reserved
Problems viewing this site? feedback_@comiccritique.com